James H Toenjes Art Collections
Shop for artwork from James H Toenjes based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by James H Toenjes
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Last of the Lupine by James H Toenjes
Early Morning Signal Butte by James H Toenjes
Approaching Storm over Verde Valley by James H Toenjes
Palm Canon Kofa Mountains by James H Toenjes
Desert Willow at Sunrise by James H Toenjes
San Gorgonio Pass Palm Springs by James H Toenjes
Lewis River from Hapa Park by James H Toenjes
Palo Verde by James H Toenjes
Pink Champagne by James H Toenjes
Sebastian by James H Toenjes
Lone PIne Peak by James H Toenjes
Clark Dry Lake by James H Toenjes
Sedona from 1000 Trails Camping Area by James H Toenjes
Palo Verde and Dry Wash by James H Toenjes
Desert Sunset by James H Toenjes
Palo Verde and Desert Pavement by James H Toenjes
Mount San Gorgonio by James H Toenjes
End of Day by James H Toenjes
Cricket Song by James H Toenjes
Early Morning Kofa Mountains by James H Toenjes
Quarry Death Valley Road by James H Toenjes
Lone Cottonwood by James H Toenjes
Perplexed by James H Toenjes
Road to Lewis River by James H Toenjes
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About James H Toenjes
Jim Toenjes has painted since the late 1970s. He began painting in watercolor and acrylic while working in California and Hawai'i as an archaeologist. After several years, he changed to oil, continuing to paint on location. In the mid 1990s he studied portraiture and composition under Jack Rowe in Palm Desert, California. Mr. Rowe, a student under Weyman Adams in New York before World War II, continued studies after the war at the Chicago Art Institute where he received his degree in fine art.
Previously of Palm Springs, California, Jim now divides his time between the southwestern states and Woodland, Washington where he has family and is a member of the Northwest Oil Painters’ Guild (NOPG). Jim paints entirely on location using a core palette of pure secondary colors, yellow, and white.